“Pace University Announces Open Submissions for ‘Pace New Musicals'”

Got script and musical score? Pace New Musicals will provide the space, the performers, a stage manager, a light board and light operator, and a director and music director.

“Our objective is to nurture the creation of new musical theater in New York City and to provide an invaluable educational opportunity to our students to work directly with top professionals in the field,” said Amy Rogers, the founder and director of Pace’s Musical Theater Program.

Pace’s  Musical Theater Program is currently accepting submissions of new musical theater works, reports  

Deadline: October 7, 2011.

The chosen piece will be given a full reading in the Schaeberle Theater at Pace University in lower Manhattan, with actors chosen from the musical theater student body. There will be a two-week rehearsal period starting Tuesday, January 3, 2012, with seven performances starting January 18 and ending January 22, 2012.

Because of the short rehearsal time, completed scores and scripts are requested. Pace New Musicals will provide the space, the performers, a stage manager, a light board and light operator, and a director and music director.  If there is already a director and/or music director attached to the project and wants to continue that association, then it is up to the creators whether or not to use them for this reading.

For submission details, click here


  •  2011 – Factory Girls written by Creighton Irons, Sean Mahoney and Maggie-Kate Coleman about the young women in the textile mills of Massachusetts. 
  • 2010 – Quanah, the musical journey of Comanche chief Quanah Parker and his mother, Cynthia Ann Parker, who was kidnapped as a girl and raised by the Comanches as one of their own.  Music, story and lyrics by legendary country music star Larry Gatlin, book by Anthony Dodge, and dramaturgy by Ragtime director Marcia Milgrom Dodge.
  • 2009 – Jonathan Larson award winner Ryan Scott Oliver’s and B.T. Ryback’s Darling, is a  musical which follows upper crust teenager Ursula Morgan in 1929 Boston as society boils in the weeks before the Crash.
  • 2008 – College: The Musical, a tuneful and honest look at modern campus life, written by two recent Princeton graduates.  It was subsequently chosen for production with the New York Musical Theatre Festival where the authors, Scott Elmegreen and Drew Fornarola, won the NYMF award for Excellence in Writing Lyrics. 
  • 2007 – A staged workshop of Mark Waldrop and Brad Ross’ musical, Luck!  In this fractured folk tale based on a story by Isaac Bashevis Singer, Mazel and Shlimazel, the spirits of Good Luck and Bad Luck, make a bet to determine who is the more powerful.

The Broadsheet Daily: “Pace Spins A Yarn about ‘Factory Girls’ – Fact-Based Rock Musical Recalls Labor Pains of 1840s”

At the dawn of America’s Industrial Revolution, young women known as “Mill Girls” flocked to Lowell, MA, from farms throughout New England, hoping to make a better life for themselves. What they found instead were 14-hour workdays, packed dormitories, and puritanical overseers who monitored their behavior around the clock.

“Factory Girls” will be performed Jan 26-30, 2011 at Pace’s Schaeberle Studio (41 Park Row; tenth floor) Thursday through Saturday at 8:00 pm, with weekend matinees on Saturday (2:00 pm) and Sunday (3:00 pm). Tickets: $12 for adults and $8 for students. To make reservations, e-mail

Pace University is staging a dramatic reading and sing-through this weekend of a new rock musical, “Factory Girls,” that recalls the history-making activism of young working women in the 1840s, who brought some of America’s first labor reforms to the textile mills of Lowell, Massachusetts… The result is dialog and song that are powerfully evocative of many of the same conflicts that still divide America today: social justice, financial inequality, and double-edged sword by which individuals working for a giant, impersonal corporation can feel both empowered and imprisoned. – “Pace University Presents FACTORY GIRLS Musical, 1/26-1/30”

Taking place in the 1840s, “Factory Girls” tells the story of Yankee farm girls who come to Lowell, Massachusetts, “the City of Spindles,” in order make a better life for themselves.

After laboring for up to 14 hours a day, the girls write and publish their own company-sponsored publication, “The Lowell Offering,” which becomes a worldwide literary phenomenon. When working conditions deteriorate due to competitor and economic hardship, the women speak out against the corporation. Through their hardship, the course of both workers and women is forever altered: both have found a voice in America.

At the dawn of the American Industrial Revolution, girls working in the textile mills of Lowell, Massachusetts, become America’s first independent working women.

Inspired by the revolutionary spirit of her forefathers, a weaver secretly rallies her co-workers to speak up against the frightful working conditions, fight for labor reform and petition for a 10-hour workday.

The new musical Factory Girls will be presented as a part of Pace University’s New Musicals Program beginning January 26th through the 30th.