LOVE, LOVE, LOVE! Week Four of The Actors Studio Drama School’s 2012 MFA Repertory Season brings scenes from THE VOICE OF THE TURTLE (a young actress who has sworn off love gets stuck entertaining a soldier on leave), ORANGE FLOWER WATER (infidelity and the consequences of a romantic affair) and RED LIGHT WINTER (college buddies take off to the Netherlands and find themselves thrown into a bizarre love triangle). Free admission. Reservations: (212) 501-2099; ASDSRep@pace.edu
QPR (Question, Persuade, Refer) is a nationally recognized suicide prevention program designed to educate persons to recognize and respond to the signs of suicidal thinking or behavior. Research has shown that those who ultimately attempt suicide often provide numerous direct or indirect clues as to their intentions. Contact Dr. Richard Shadick at firstname.lastname@example.org or 212-346-1526 to sign up for online training and learn how you can save a life.
Pace University Receives Grant for Online Training of Faculty and Staff in Suicide Prevention; Gatekeeper Approach Strengthens “Community Connectedness” to Detect and Treat At-Risk Individuals
– Suicide is the third leading cause of death for 15-24 year olds –
NEW YORK, NY, March 21, 2012 – Pace University’s Counseling Center, New York City campus, has received a one-time, $6,000 mini-grant from the QPR Institute for the implementation of a local online suicide prevention training program.
“Suicide remains the third leading cause of death among the 15-24 year old age group, of which most college students fall within,” said Richard Shadick, Ph.D., Director of Pace’s Counseling Center in New York City and an adjunct Professor of Psychology. “Stigma of mental health services can prevent students from getting the attention they need. Seventy-five percent of students who die by suicide never come for counseling. While suicide is one of the most preventable forms of death, doing so is quite complex. Pace will use this grant to train faculty and staff in a simple gatekeeper procedure that follows CPR and can save lives.”
QPR involves these three simple steps:
- Question … a person about suicide
- Persuade … the person to get help
- Refer …the person to the appropriate resource
To date, more than one million Americans have been trained in the QPR Gatekeeper Training for Suicide Prevention program. QPR (Question, Persuade, Refer) is an evidence-based, Suicide Prevention Resource Center/American Foundation for Suicide Prevention (SPRC/AFSP) registered “best practice” program taught in classrooms by more than 5,000 Certified Instructors throughout the U.S. and abroad.
Ask a Question; Save a Life
“What can be done to help individuals who are suicidal? Knowing the warning signs and symptoms of suicide can help,” advised Dr. Shadick. ”Suicidal individuals can be depressed, hopeless, angry, or socially isolated. They often have difficulty with sleeping or eating and demonstrate obvious changes in their appearance. Students who are suicidal have significant academic or financial problems or experience a significant loss, such as a relationship break up, divorce, or move. Suicidal individuals also talk about dying-either indirectly, such as saying that they want to end their pain or make it all go away, or directly, such as stating that they want to kill themselves. Students whom have attempted to kill themselves in the past are particularly at risk for future suicide death. Finally, with college students a significant proportion of suicides involve drug or alcohol use.”
QPR’s online suicide prevention program “gatekeeper” training takes about an hour. A gatekeeper is someone who knows the basics about suicide and intervention skills, believes that suicide can be prevented and can assist in the aftermath of suicide. The three formal goals of the program are:
- Goal 1: Build community capacity to prevent suicide by strengthening community connectedness through gatekeeper training designed to detect and treat at-risk persons before a suicide attempt or completion occurs.
- Goal 2: Reduce the frequency and base rates of suicide attempts and completions in communities experiencing increasing and high rates of suicide events (attempts and fatalities).
- Goal 3: Establish sustainable suicide prevention programming and staff infrastructure at the community level through a public-private partnership.
If someone is talking about killing themselves or is experiencing some of these symptoms, it is essential to intervene,” added Dr. Shadick. “One should listen without judgment and acknowledge the pain they are suffering. Even if they downplay their symptoms, one should take them seriously. It is essential to get them to a psychologist quickly. Sometimes a college student may feel that there is a stigma connected to going to a campus counseling center. One should let them know that the counseling center is another form of academic support just like a writing center or tutoring service and that many students go to these centers for a wide variety of concerns, not because they are mentally ill.”
Members of the Pace Community who are interested in participating in the QPR Gatekeeper Training for Suicide Prevention program should contact Dr. Shadick directly at email@example.com, 212-346-1526.
About Pace University
For 105 years Pace has produced thinking professionals by providing high quality education for the professions on a firm base of liberal learning amid the advantages of the New York metropolitan area. A private university, Pace has campuses in New York City and Westchester County, New York, enrolling nearly 13,000 students in bachelor’s, master’s, and doctoral programs in its Lubin School of Business, Dyson College of Arts and Sciences, College of Health Professions, School of Education, School of Law, and Seidenberg School of Computer Science and Information Systems. www.pace.edu
Media Contact: Samuella Becker, firstname.lastname@example.org, 212-346-1637 or 917-734-5172
A must-see concert for new musical theatre lovers. “Pace Musical Theatre Sings: The Music of Carner & Gregor” is a showcase of the work of songwriters Sam Carner and Derek Gregor featuring Dyson performing arts students from the Class of 2015.
Pace Musical Theatre Sings: The Music of Carner & Gregor, a showcase of the work of Sam Carner & Derek Gregor by Pace University students, will be presented at the Laurie Beechman Theatre on March 19 at 7pm noted three of the top entertainment trade publications – BroadwayWorld.com, Theatermania and Playbill.
Carner & Gregor are a musical composing duo on the rise, who take great interest in working with college students. In the style of their Barely Legal Extravaganza concert series, they present nine fresh faces – Devin Lewis, Jeff Heimbrock, Tory Ramirez, Michael Hughes, Andrey Patino, Ebeth Engquist, Chandler Reeves, Samantha Grossman, and Tatiana Lofton who are new to the New York City cabaret scene – in this exciting concert showcasing their work.
The Laurie Beechman Theatre is located at 407 West 42nd Street. Tickets are priced $15 and there is a $15 food drink minimum. For reservations visit www.westbankcafe.com/beechman_theatre.html or call 212-695-6909.
Lubin Professor Bruce Bachenheimer, Director of Pace’s Entrepreneurship Lab, discusses the technology brain drain from Wall Street, how it’s become possible to be a force in financial services development without being in Manhattan, and what Wall Street is trying to do about it.
New York is investing in financial startups to make sure technologists and new ideas stick around.
After banking deregulation took off in the 1990s, it became “exciting and sexy to say you were working on Wall Street,” says Bruce Bachenheimer, clinical professor of management and director of entrepreneurship at Pace University. Money and prestige helped lure top academic talent, including mathematicians and computer scientists, to hedge funds.
But that has changed, beginning with 2008 and the financial meltdown.
“The perception of working on Wall Street went from positive to negative,” Bachenheimer told Erik Sherman, author of the article, “Wall Street’s Search for Innovation,” published in MIT’s Technology Review on March 16. Wall Street reached its latest low this week when a Goldman Sachs executive resigned and publicly excoriated the company’s ethics in a New York Times op-ed.
Meanwhile, places like Silicon Valley, Boston, and other hotbeds of high tech suddenly look like the most attractive places to be. With the recent spate of Web-company IPOs, technology startups are also potentially a faster ticket to wealth than Wall Street, where bonuses fell 14 percent last year, continuing a multi-year slide.
“Perceptions of desirability are very important in entrepreneurship. [Technologists] want to go where the action is and want to be doing cool stuff,” says Bachenheimer.
Inspired by recent insight from Brad Pitt, George Clooney, Bradley Cooper, Jennifer Aniston, James Franco, the casts of “Glee” and “Modern Family,” as well as other distinguished celebrity guests of their craft class – Dean Emeritus James Lipton’s “Inside the Actors Studio” – a new generation of performers and creators prepare for their five-week Repertory Season beginning March 28.
THE ACTORS STUDIO DRAMA SCHOOL AT PACE UNIVERSITY PROUDLY
ANNOUNCES ITS SPRING 2012 REPERTORY SEASON
Wednesday, March 28 – Saturday, April 28, 2012
15 Productions in Five Weeks; Acted and Directed by Our 36 MFA Candidates; World Premiere of Playwright Sean Michael Welch’s “All An Act”
Selected Plays, Scenes, Books by: Mel Brooks and Thomas Meehan, Lewis John Carlino, Anton Chekhov (translated by Paul Schmidt), Noël Coward, Darlene Craviotto, Cindy Lou Johnson, George S. Kaufman and Leueen MacGrath, John Kolvenbach, William Mastrosimone, Suzan-Lori Parks, Adam Rapp, Christopher Shinn, Nicky Silver, John Van Druten, Craig Wright.
NEW YORK, NY, March 14, 2012 –This year’s 36 Actors Studio Drama School MFA candidates have received advice about the craft of acting, directing and writing from some of the most influential bold-faced names in entertainment.
Those who have recently graced the stage of the Michael Schimmel Center for the Arts at Pace University in New York City and been interviewed by Dean Emeritus James Lipton — the creator, executive-producer, writer and host of “Inside the Actors Studio, which is seen in 89 million American homes on Bravo TV, and around the world in 125 countries – include:
- Brad Pitt
- George Clooney
- Bradley Cooper (Actors Studio Drama School, MFA’00)
- James Franco
- James Cameron
- Jennifer Aniston
- Jim Carrey
- Sean Combs
- Kate Hudson
- Cast of Modern Family (Ed O’Neill, Julie Bowen, Jesse Tyler Ferguson, Ty Burrell, Sofia Vergara and Eric Stonestreet)
- Cast of Glee (Creator Ryan Murphy, Matthew Morrison, Jane Lynch, Lea Michele, Cory Monteith and Chris Colfer)
- Legendary rock band, Bon Jovi (Bon Jovi, Richie Sambora, David Bryan, and Tico Torres)
This bird’s-eye view of industry giants also comes with interview privileges, allowing the graduate students to ask their own individual questions of the Oscar, Emmy, Tony, Golden Globe, Grammy and BAFTA award winners they someday hope to emulate.
“Our 36 MFA candidates are accomplished and have multiple credits on the big screen, small screen, on stage and in the wings,” said Andreas Manolikakis, chair of the Actors Studio Drama School and a board member of the Actors Studio. “They have founded their own theater companies as well as performed, written and directed for others. But they have collaborated together these last three years in New York City, united as they pursued their dreams and refined their craft as actors, directors or playwrights in the only Masters’ theater program endorsed by the renowned Actors Studio … two express subway stops from Broadway.
“All have diverse backgrounds, and that’s the beauty of it, because one learns not only from the faculty but from one another,” continued Manolikakis.
The 2012 Actors Studio Drama School MFA candidates include:
- U.S. Navy Chef, National Runner-Up in the Season 5 Mad Men Casting Call with recent TV credits on White Collar, Law & Order: SVU, Royal Pains, Humanly Impossible, and I’m Alive.
- Captain of the Women’s Soccer Team at Connecticut College.
- Actor in Robert DeNiro’s new crime drama series The 2-2 on CBS-TV.
- Award-winning playwright (Kennedy Center/American College Theatre Festival – 1999, 2000) who has authored 140 works – some now being performed Off-Broadway and in regional theaters.
- Opera singer who has performed at Carnegie Hall and Lincoln Center.
- International Puppeteer, Fulbright Scholar and American Scandinavian Foundation Fellow.
- Gymnast, Women’s Gymnastics Team at the University of Michigan on full athletic scholarship.
- Actor appearing on Lifetime’s Army Wives and the Atlanta soap opera, Love Always Charleston.
- Gospel mime on the international gospel television network, Trinity Broadcasting Network (TBN).
- NYC Fringe Film Festival Director.
- Clowning, Syo-Kon-Do (Mixed Martial Arts) and Kyudo (Japanese Archery) expert.
- Michigan dairy farmer.
- Silk Road Dance Company member who performed at the 2011 Asia Cup Games in Doha, Qatar.
- Two members of the Festival of Fools, a NYC based verse-inspired theatre company.
- Intern at Shakespeare’s Globe Theater in London.
The 2012 Actors Studio Drama School Repertory Season performances will take place at The Theater at Dance New Amsterdam, 53 Chambers St., just north of City Hall, Wednesdays through Fridays at 8 p.m. and Saturdays at 3 and 8 p.m. from March 28 through April 28. The full schedule and information about plays, actors, directors and playwrights can be found online at www.Pace.edu/ASDSRep
Admission is free, but reservations must be made in advance by phone or e-mail as seating is limited. The 24-hour reservation line is: (212) 501-2099 and email is ASDSRep@pace.edu
The works are considered educational and may not be reviewed.
Established playwrights with one-act productions or scenes showcased are:
- Week One: Scenes from Fabuloso by John Kolvenbach; Scenes from Dying City by Christopher Shinn; Scenes from Pizza Man by Darlene Craviotto
- Week Two: Snow Angel by Lewis John Carlino; Scenes from The Woolgatherer by William Mastrosimone; The Bear by Anton Chekhov, translated by Paul Schmidt; Amicable Parting by George S. Kaufman and Leueen MacGrath
- Week Three: Scenes from Topdog/Underdog by Suzan-Lori Parks; Brilliant Traces by Cindy Lou Johnson; Scenes from Raised in Captivity by Nicky Silver
- Week Four: A Scene from: The Voice of the Turtle by John Van Druten; Scenes from Orange Flower Water by Craig Wright; A scene from Red Light Winter by Adam Rapp
- Week Five: A Scene from Fallen Angels by Noël Coward; A New Play All An Act by Sean Michael Welch; Scenes from The Producers, A New Mel Brooks Musical, Book by Mel Brooks and Thomas Meehan, Music and Lyrics by Mel Brooks.
A published and frequently produced New York City playwright, with 32 plays to his credit, Edward Allan Baker has written for HBO and Showtime, attended Sundance Film Institute and been a faculty member of the Actors Studio Drama School since 2005 as Associate Professor – Playwriting.
During Week Five of the 2012 rep season, the one-act play All an Act by Baker student Sean Michael Welch will be making its world premiere. The play takes place in a dressing room in Clown Alley in the present day, and is about two clowns with relationship troubles.
“Real” Rep Season: Off-Broadway, Practical Level Experience
“The season is produced, managed, and designed by union member industry professionals, creating an actual Off-Broadway experience that prepares our graduates with practical experience as working professionals before graduation,” said Manolikakis, a Lifetime Member and a member of the Board of Directors of the Actors Studio.
Among the industry professionals who will be supporting the Actors Studio Drama School 2012 MFA candidates during repertory season are:
Brierpatch Productions (General Manager) Brierpatch Productions is the partnership of Laura Janik Cronin and Scott Newsome. Off-Broadway: Triassic Parq (June 2012); 7th Monarch (June 2012); Tennessee Williams’ The Two Character Play; Sex in Mommyville; Lidless (Page 73/Walker Space) Tales From The Tunnel (Bleecker Street Theatre); The Road To Qatar! (The York Theatre); Glimpses of The Moon (The Oak Room).
Shawn Lewis (Supervising Director, Set Designer). Based in New York City, Lewis has worked as a set designer for more than 50 productions throughout the United States and abroad, designing plays, musicals, opera and film. Lewis’s mentor has been Tony Walton, with whom she started teaching in 1996 at the Actors Studio Drama School. As a resident scenic designer for ASDS, Lewis has designed more than 500 one-act productions. She is a member of the League of Professional Theater Women and of United Scenic Artists.
Paul Hudson (Lighting Designer). Design highlights: Synaesthetic Theatre’s The Trial of K (The Culture Project); Mirror Rep’s Shanghai Gesture (The Julia Miles Theater); Oslo Elsewhere’s Sa Ka La (Bleeker Street Theater); Golden Boy (dir. Danny Goldstein), Top Girls (Dir. Janet Zarish), Beyond the Machine 2010-2012 (Juilliard); Dance Anonymous’ Petra (Lefkosia Theater, Cyprus); Clubbed Thumb’s One Thing I Like to Say Is... (Ohio Theater); The Dangers of Electric Lighting (Luna Stage).
David Pinkard (Sound Designer) has worked as composer, sound designer and musical director in and around New York City since 1995. He has studied orchestral conducting with Louis Lane and Charles Bruck.
Brittany Loesch (Props Designer). Previous designs include Kiss of the Spider Woman, Violet, A Perfect Ganesh, and Iboga. Brittany has also toured with Rent, taking her across the country and to Japan. Other New York credits include sets for Language of Angels at the Abrons Art Center and props for Cosi fan tutte and The Ghosts of Versailles at Manhattan School of Music.
Lara de Bruijn (Costume Designer). Recent and current projects include: The Public (The Flea Theater), A Man in a Black Coat (Target Margin’s Russian Futurist LAB), l’Heure Espagnole & l’Enfant et les Sortilleges (Boston Conservatory), the Commonalities that Bind Us (Dance iQuail!), Animal Love 1 (Charlene Kaye), Kaged (Stockholm Fringe Festival), Measure for Measure (Peterborough Players), Finian’s Rainbow (Berkshire Theatre Festival), Three Penny Opera (Trinity Rep Consortium), Lysistrata (La MaMa), Dog Act (Flux Theatre).
Sydney Maresca (Costume Designer) recently designed costumes for Hand to God (Ensemble Studio Theater), The Lapsburgh Layover (Ars Nova), Buddy Cop 2 (The Debate Society), The Yellow Brick Road (TheatreWorksUSA), The Little Death, Vol. 1 (Incubator Arts Project), Nostradamus Predicts the Death of Soho (Soho Think Tank), The Zero Hour (13P), OMG, I am so Thirsty (Little Lord) and MilkMilkLemonade (The Management). Film work includes The Wedding Video and Robin’s Big Speed Date starring Justin Long, Jason Sudeikis, Kristin Bell and Uma Thurman.
Ron Piretti (Fight Director) is an actor and fight director. He has staged the fights for the Broadway and National touring productions of West Side Story, In the Heights, has worked on The Miracle Worker with Abigail Breslin, and Bengal Tiger at the Bagdad Zoo starring Robin Williams. At Goodspeed Opera House, he was the fight director: Cutman, Show Boat, City of Angels. Ron appeared as Officer Krupke in the Broadway production of West Side Story.
Joseph A. Onorato (Production Stage Manager) has been Stage Managing the ASDS Repertory Season since its beginning in 1997. He has been a proud member of both Actors’ Equity Association (29 years) and The American Guild of Variety Artists for (24 years). In that time, he has Stage Managed On Broadway: Romance Romance, Off Broadway: Olympus On My Mind & Mambo Mouth, many Special Events, Industrials, and Award Shows such as the TONY, Daytime EMMY, MTV & GRAMMY Awards as well as The Christmas Spectacular and Cirque Du Soleil’s Zarkana at Radio City Music Hall.
Fran Rubenstein (Production Stage Manager) spent her fall working on The Fartiste and the past two summers at the Dorset Theatre Festival: 2011- Dial M for Murder and Mauritius, DTF 2010- Fallen Angels, The Novelist and When Something WonderfulEnds. Recent credits: Reading Under the Influence at the DR2, Honey Brown Eyes for The Working Theater & This at Dreamcatcher Rep. Member AEA.
Shannon O’Connor (Assistant Stage Manager). Off-Broadway/New York: Lyric is Waiting (Kef Productions), Convenience Theatre (Desipina),The Radio City Christmas Spectacular. Regional: My Way, Forbidden Broadway, The Full Monty, Thoroughly Modern Millie (Gateway Playhouse).
Christine Lemme (Assistant Stage Manager). Broadway: Reasons to be Pretty, Swan Lake. Off-Broadway: Red Bull, MCC, Irish Repertory Theatre, Vineyard, TBG, Primary Stages, AJT, John Houseman, TFANA, and Working Theater.
Scott Wynn (Photographer) has worked for and been published multiple times in Variety and has also been published in New York Magazine, Where Magazine, The New York Times, The Daily News, Newsday, Time Out, Quest, The Conservationist, The Villager, American Theatre, Theatre Week, Backstage and numerous others. Scott is a seasoned photographer of Broadway and Off Broadway shows, as well as the Drama Desk Awards.
“The Actors Studio Drama School Repertory Season is real repertory where our students work as a repertory company – acting, directing and writing the material – creating collaborations that can last a lifetime,” underscored Manolikakis. “Unlike other MFA programs’ productions, we provide each and every student actor with the opportunity to be the ‘lead’ in a production. In many other programs, a few students carry those roles while the rest play secondary roles.”
The Actors Studio Drama School at Pace University is the only MFA theater program officially sanctioned by The Actors Studio. The entire faculty is chosen and approved – and the curriculum is designed and supervised – by the leadership of The Actors Studio through its Curriculum Advisory Committee, including the Presidents of The Actors Studio, Ellen Burstyn, Harvey Keitel and Al Pacino. All of the students — actors, directors, playwrights – train side-by-side as actors. All students participate in the Craft Seminars known to the world as the Bravo Network television series, “Inside the Actors Studio,” hosted by James Lipton. Upon graduation students receive the title of Working Finalist at The Actors Studio and are invited to attend sessions of The Actors Studio for one year and audition for membership. For further information about the program, go to www.pace.edu/actorsstudiomfa
About Pace University For 105 years Pace has produced thinking professionals by providing high quality education for the professions on a firm base of liberal learning amid the advantages of the New York metropolitan area. A private university, Pace has campuses in New York City and Westchester County, New York, enrolling nearly 13,000 students in bachelor’s, master’s, and doctoral programs in its Lubin School of Business, Dyson College of Arts and Sciences, College of Health Professions, School of Education, School of Law, and Seidenberg School of Computer Science and Information Systems. www.pace.edu
Media Contact: For photos, interviews and more contact: Samuella Becker, Pace Performing Arts Publicist, (212) 346-1637 or 917-734-5172, email@example.com
Pace was featured in the Bridgewater, CT Patch.com. The article highlights the basics about Pace for local students who are considering various colleges.
Pace was featured in the Bridgewater, CT Patch.com. The article highlights the basics about Pace for local students who are considering various colleges.
From the article:
“If you are a student who would love to go to a co-ed college in the Big Apple, you may want to consider the Pace University campus in lower Manhattan (Pace also has another campus in Westchester).
For undergrads, the New York City campus has about 4,000 full-time undergrads in three undergrad schools:
- Lubin – the Business School
- Dyson – the Arts and Sciences School
- Seidenberg – the Computer Science/IT School.
Pace also has an honors program, which comes with benefits like significant merit aid, special honors classes, special events, research opportunities and housing.”
Read the full story at Bridgewater Patch.
Pace University opens up entrepreneurship lab, hoping to incubate interdisciplinary collaboration between students—and create some new companies in Lower Manhattan.
Pace University opens up entrepreneurship lab, hoping to incubate interdisciplinary collaboration between students—and create some new companies in Lower Manhattan.
Before they were entrepreneurs, Rob Caucci and Jeremy Pease were students by day and residence hall RAs by night. That meant after classes in Pace University’s Lubin School of Business and computer science program, respectively, then would come home to “have to mediate dozens of conflicts every day between roommates,” Caucci says.
In an effort born of that frustration, the pair launched their first company, a roommate-matching software called Reslutions, which they dubbed “eHarmony for college roommates.” Then, after winning Pace University’s 2010 Pitch Contest with that idea, the pair shifted their plans: They are now looking for a $500,000 investment for their roommate cost-sharing and household management start-up, called SpaceSplitter.
Pace is the latest university trying to foster just this kind of partnership—in which a business school student meets an undergrad programmer and begins a lasting entrepreneurial relationship. On Thursday night, the Lubin School of Business at Pace held a reception launching the school’s new entrepreneurship lab, an open-floor-plan space decked in computers and Idea Paint tucked into a corridor of Lubin School. The secret sauce: any student from any school within Pace may apply. The lab’s director, Bruce Bachenheimer, who also organizes the Pace Business Plan Competition and Pitch Contest, said he’d gotten a call from a nursing students asking if she could apply for the lab, hopefully to find a collaborator for a piece of health-care software or an app.
“Entrepreneurship is interdisciplinary problem solving and no one can be expert at everything; therefore well-coordinated collaboration is at the heart of what we strive to instill in our students,” says Neil Braun, dean of Pace’s Lubin School of Business and former president of NBC and chairman of Viacom Entertainment. “The lab is a conducive space for students, faculty, entrepreneurs and city officials to identify opportunities and needs and build a plan to make something good happen.”
Thursday night attracted other bold-faced New York start-up names, including Harold Levy, managing director of Palm Ventures and former NYC Schools chancellor, and Robert Walsh, New York City Small Business Services commissioner.
“New York is a thriving hub of entrepreneurship, but we’re still in the second and third inning,” compared with Silicon Valley’s thriving technology industry and start-up scene, said Somak Chattopadhyay, a partner in Tribeca Venture Partners, who spoke at the Entrepreneurship Lab launch. “We’ve been missing a critical mass of incubators and accelerators.” —Christine Lagorio
Pictured: Robert Walsh, Commissioner of the New York City Department of Small Business Services
Performing Arts students Donell James Foreman ’12, Matthew Farcher ’12 (pictured), Pace alumna Ally Bonino ’11 and Performing Arts Assistant Professor Robert Meffe are getting major accolades for their work in “Myths and Hymns.”
Music and lyrics by Adam Guettel, with new narrative by Elizabeth Lucas; directed by Ms. Lucas; choreography by Wendy Seyb; music supervisor, Robert Meffe; sets by Ann Bartek; costumes by Emily Morgan DeAngelis; lighting by Herrick Goldman; sound by Janie Bullard; musical director, Katya Stanislavskaya; stage manager, Kristine Ayers. Presented by Prospect Theater Company, Cara Reichel, producing artistic director; Melissa Huber, managing director. At the West End Theater, Church of St. Paul and St. Andrew, 263 West 86th Street, Manhattan; (212) 352-3101; prospecttheater.org. Through Feb. 26. Running time: 1 hour 20 minutes.
“At no time in history have international governance and regulation been more important to the business, government and public sector than they are today,” said Neil S. Braun, Dean of the Lubin School of Business, in announcing Pace’s new Center for Global Governance, Reporting and Regulation. John Alan James (pictured), an international expert on how corporations are governed, has been named the center’s inaugural executive director. James has over 40 years of experience as an author and consultant in Europe, Asia and the U.S., and as an instructor at leading European business schools such as INSEAD and IMD.
Pace University Establishes Center for Global Governance, Reporting and Regulation
John Alan James, Recognized International Corporate Governance Leader, Named Executive Director
“Future Business Leaders Must Be Prepared for a Global Regulatory Labyrinth,” Says Neil S. Braun, Dean of the Lubin School of Business
Offers Certified Compliance and Regulatory Professional Certificate – Classes Begin February 2, 2012
NEW YORK, NY, January 23, 2012 – At a time when European financial uncertainty is underscoring the impact of international businesses and economies on the U.S., the Lubin School of Business at Pace University has established a Center for Global Governance, Reporting and Regulation.
John Alan (Jack) James, a Lubin professor and major proponent of the teaching of comparative corporate governance, has been named the center’s inaugural executive director. James brings the center over 40 years of experience as an author and consultant in Europe, Asia and the U.S., and as an instructor at leading European business schools including INSEAD (Institut Européen d’Administration des Affaires, near Paris), CEI (Centre d’Etudes Industrielles in Geneva, Switzerland), IMD (International Institute for Management Development in Lausanne, Switzerland), and the Northwestern Kellogg European Management Program (Lausanne). In the United States, he has been a guest lecturer at The Wharton School of the University of Pennsylvania, Cornell and Northwestern.
Beginning February 2, the new Lubin center is offering a six-month program leading to a new Certified Compliance and Regulatory Professional (CCRP™) certificate. The center also is planned to be an academic setting for professional organizations, business leaders and policymakers to exchange views on key issues facing world economies. It will provide thought leadership on current and emerging issues, conducting independent research and disseminating the findings, sponsoring guest speakers, hosting special events and participating in academic and industry conferences.
“At no time in history have international governance and regulation been more important to the business, government and public sector than they are today,” said Neil S. Braun, the former President of the NBC Television Network and Chairman of Viacom Entertainment who is Lubin’s dean.
“Changes in the already-complex regulatory system are occurring daily in nations around the world,” Braun added. “The European Union is requiring new and tighter regulations, and the meetings of the G-20, the IMF and the Bank for International Settlements, Basel, are introducing numerous new ideas for achieving convergence and establishing a level playing field across the globe. Future business leaders must be prepared for a global regulatory labyrinth, and Lubin is building upon its track record in teaching comparative governance.”
James, an international expert on how corporations are governed, founded Management Counsellors International, S.A., a Belgian corporation, where he advised clients including 50 of the U.S. Fortune 100 major multinational corporations and foreign companies like Fiat, Henkel and Siemens on market entry strategies and operating in “foreign” regulatory environments. He is also the author of over 80 articles and 52 publications. These include what are believed to be the first publications in English on how corporations are governed in Europe, detailing the stakeholder/workers’ voice approach used by all countries outside the U.S. and the British Commonwealth.
Recalls James, “These loose-leaf text books were published in a series of three constantly updated versions entitled Company Law and Governance, Labor Law and Industrial Relations, and Employment Law and issued by my own publishing company in Brussels, which in 1979 was sold to Management Centre Europe, the European headquarters of the American Management Association. These ‘best-sellers’ became an important source of information for firms investing in Europe and a basis for integrating governance policies and regulations at the level of the European Commission (EC) — the executive body of the European Union (EU) — and national governments.”
The new center’s first instructional program, a collaborative venture with the Association of International Bank Auditors (AIBA), leads to a certificate as a Certified Compliance and Regulatory Professional or CCRP™. The comprehensive six-month, 75-hour, 25-session course — www.pace.edu/lubin/ccrp — will provide intensive regulatory strategy and compliance training to professionals in global financial services. The first students will include AIBA internal audit, compliance and internal control employees from the association’s membership in nearly 100 branches and agencies of foreign banks doing business in the United States.
James said developing the new CCRP™ program took four professors and eight industry professionals nearly 1,000 hours, adding that it is “the first collaboration by the AIBA with an academic partner.”
International governance expert, author and global educator
James began his management consulting career with Hewitt Associates in Chicago and McKinsey & Co. in New York City. While consulting in Europe, from 1976 to 1980, he was appointed by Governor Ella Grasso as the State of Connecticut’s first Director of International Business and Economic Development, a part-time position. His activities resulted in moves of a dozen major European firms to build important subsidiaries in the state.
A frequent guest lecturer at business meetings around the world, James co-chaired the first UN conference on multinational companies and multinational trade unions at the International Labour Organization in ILO in Geneva in 1978. He was also an early contributor to the functions of the European Management Forum, now the World Economic Forum (WEF), in Davos.
A resident of Fairfield County, Connecticut, James earned his bachelor’s degree in political science from Northwestern University and an MBA from the University of Chicago’s Booth School of Business. In 2003, James joined Lubin as a Professor of Management, creating one of the first graduate business school courses in Comparative Corporate Governance Systems. He also teaches a course on Regulatory Strategy.
In recent years he has been quoted as an expert source on corporate governance and regulation in such business publications as The Wall Street Journal, Financial Times and Investor’s Business.
Evolution from accounting standards
The new Center for Global Governance, Reporting and Regulation is an outgrowth of Lubin’s Center for the Study of International Accounting Standards, itself an outgrowth of Lubin’s 105-year record as a leader in the teaching of accounting.
The earlier Center sponsored major conferences between 2008 and 2010 on the impending convergence of U.S. and international accounting standards, and developed curriculum segments for Lubin courses on the global spread of such standards. That, in turn, led to a realization that knowledge of international reporting standards alone is not sufficient in the current business environment and that grounding in governance and regulatory compliance also is essential.
“This is one of the essential expertises of the future,” James underscored.
About the Lubin School of Business at Pace University: Globally recognized and prestigiously accredited, the Lubin School of Business integrates New York City’s business world into the experienced-based education of its students at Pace’s suburban and downtown campuses, implemented by the region’s largest co-op program, team-based learning, and customized career guidance. Its programs are designed to launch success-oriented graduates toward upwardly mobile careers. www.pace.edu/lubin
About Pace University: For 105 years Pace has produced thinking professionals by providing high quality education for the professions on a firm base of liberal learning amid the advantages of the New York metropolitan area. A private university, Pace has campuses in New York City and Westchester County, New York, enrolling nearly 13,000 students in bachelor’s, master’s, and doctoral programs in its Lubin School of Business, Dyson College of Arts and Sciences, College of Health Professions, School of Education, School of Law, and Seidenberg School of Computer Science and Information Systems. www.pace.edu.
About The Association of International Bank Auditors (AIBA): The AIBA membership consists of internal audit, compliance and internal control professionals of nearly 100 U.S. branches and agencies of foreign banks. The mission of the AIBA is to foster the professional standing of its members by increasing their knowledge and capacities to carry out their responsibilities with respect to international banking.
Pace Media Contact: Samuella Becker, firstname.lastname@example.org; 212-346-1637 (office) or 917-734-5172 (mobile)
CCRPTM Program Contact: BrianPew, email@example.com; 212-618-6444
Pace New Musicals has selected Zoe Sarnak’s “A Lasting Impression” – a tangled story of three artists: a composer, a writer, and a painter – as its 2012 official selection. There will be seven staged reading performances with a live band beginning January 18 at Pace’s Schaeberle Studio Theater, 41 Park Row, 10th Floor. For reservations call (212) 346-1352 or email firstname.lastname@example.org
FOR IMMEDIATE RELEASE
Pace New Musicals Announces Premiere of its 2012 Official Selection,
Zoe Sarnak’s A Lasting Impression, at
Pace University’s Schaeberle Theater on January 18 – 22
Staged Reading Performances with Live Band
Directed by Amy Rogers; Music Direction by Robert Meffe
NEW YORK, NY, January 13, 2012 – Pace University’s Pace New Musicals program, dedicated to the discovery of new theater works, has selected Zoe Sarnak’s A Lasting Impression from over 50 submissions as its 2012 most promising show.
Amy Rogers, Associate Professor of Musical Theater and creator of the BFA Musical Degree program at the Dyson College of Arts & Science at Pace University, and Robert Meffe, Musical Director, are collaborating with Sarnak on a staged reading of her musical.
A Lasting Impression will be presented at Pace’s Schaeberle Studio, 41 Park Row, 10th Floor, Pace NYC Campus from January 18-22; performances Wednesday-Friday at 8:00PM; Saturday at 2:00 & 8:00PM and Sunday at 8:00PM. Ticket prices: $5 for students; $10 for adults. For reservations call (212) 346-1352 or email email@example.com
In A Lasting Impression, each of the three lead characters chose their own artistic medium – book, music or visual design – to express one shared story. Josh, a once guarded journalist, acts as the play’s narrator, using old taped interviews and pictures to guide us through his memory of his two sisters. Kali, a manic musician, is the piece’s composer, moving in and out of “her” band as the story unfolds. Simone, a young painter, controls the evolution of what begins as a blank set, and comes to life through the addition of her visual art. A Lasting Impression is about impressions that we make through love, on those close to us, and through art, on those we may never meet.
The eight Pace Musical Theater students who will be bringing A Lasting Impression to life without costumes or scenery are (in alphabetical order, with hometown and their character roles):
- Aaron Albert (Los Angeles, CA) as Josh Weinstein
- Bethany Jeffery (Cincinnati, OH) as Mother
- Taylor Noble (Glastonbury, CT) as Kali Blanche
- Danny Quadrino (East Rockaway, NY) as Josh Understudy
- Krista Pioppi (Succasunna, NY) as Kali’s Band
- Cailan Rose (Sarasota, FL) as Simone Blanche
- Kevin Shotwell (Wilmington, DE) as Franklin
- Emily Thomas (Pittsburgh, PA) as Kali’s Band
The actors will be supported by Alex James (Schwenksville, PA) as Stage Manager and Dylan Bustamante (Babylon, NY) as Assistant Director.
The Pace New Musicals Program was developed in 2007 to nurture the creation of new musical theater in New York City, while at the same time providing an invaluable educational opportunity for students to work directly with top professionals in the field. Perhaps most importantly, the program allows students to experiment with new, untested works without precedent-setting productions, a rare opportunity in theater education.
The BFA Musical Theater Program at Pace University began with six majors in 2002, and has grown to more than 90 majors. In 2006, Pace became only the second school in New York City to offer a BFA in Musical Theater.
Past works in the Pace New Musicals Program include staged workshops of Factory Girls by Creighton Irons, Sean Mahoney, and Maggie-Kate Coleman; Quanah by Larry Gatlin, Anthony Dodge, Marcia Milgrom Dodge; Darling by Ryan Scott Oliver and B.T. Ryback’s; Luck!, by Mark Waldrop and Brad Ross; and College: The Musical, which was later selected for a production with the New York Musical Theatre Festival where the authors, Scott Elmegreen and Drew Fornarola, won the NYMF award for Excellence In Writing (Lyrics).
ZOE SARNAK (Writer) is a composer, lyricist, and playwright. She graduated magna cum laude from Harvard University where her first show, The Quad, was produced in 2009. In addition to numerous concert/cabaret features and performances with her band, TheWD, Sarnak has written two new musicals including A Lasting Impression, and Mixtape, which will be featured in Silent Street Productions 2011/2012 season.
AMY ROGERS (Director) is a tenured Associate Professor of Musical Theater at Pace University where she created the BFA Musical Theatre degree program. Originally from Canada, Amy received her degree in musical theatre from Arizona State University, and her MFA from San Diego State University. NYC directing credits include: Carousel, College: The Musical, Ragtime, The Wild Party (Lippa), Little Women and Violet. Amy has assisted director Lonny Price on Can-Can and Kismet at Encores at City Center, Candide with the New York Philharmonic and the Emmy Award winning Passion for Live at Lincoln Center.
ROBERT MEFFE (Music Director) is a professional music director, pianist, orchestrator, and vocal coach. On Broadway he was the Associate Conductor of Little Women as well as Les Miserables for the last six years of its run. Off-Broadway: Violet, The Prince and the Pauper, and Gutenberg! The Musical!. He was the Music Director for the National Tour of The Phantom of the Opera and has played keyboards for Mamma Mia, Hairspray, Avenue Q, The 25th Annual Putnam County Spelling Bee, Grey Gardens, and Bombay Dreams. Meffe is the Director of Music for the Musical Theater Program at Pace University.
About Dyson College of Arts and Science’s Performing Arts Programs at Pace University:
Undergraduate: Dyson’s Performing Arts Department (PAD) offers Bachelor of Fine Arts Degrees in Acting and in Musical Theater and a Bachelor of Arts degree in Theater Arts with specialized focuses in Acting, Directing, Commercial Dance or Design/Technical Theater. On average, there are 1,000 applicants for every 100 new openings each year. PAD presents over 50 performances every year. Performance spaces range from the Michael Schimmel Center for the Arts, Schaeberle (black box) Theater, and Studio 501, home to many student-directed productions. http://www.pace.edu/dyson/academic-departments-and-programs/performing-arts
Graduate: The Actors Studio Drama School at Pace University, also located in Dyson College, is the only MFA (Acting, Directing and Playwriting) theatre program officially sanctioned by the legendary Actors Studio (co-presidents Ellen Burstyn, Harvey Keitel and Al Pacino). All MFA students participate in the Craft Seminars known to the world as the Bravo Network television series Inside the Actors Studio (taped at Pace’s Schimmel Theater and open to students), hosted by James Lipton, Dean Emeritus and Co-Founder of the Actors Studio Drama School. www.Pace.edu/ASDS
About Pace University: For 105 years, Pace University has educated thinking professionals by providing high quality education for the professions on a firm base of liberal learning amid the advantages of the New York metropolitan area. A private university, Pace has campuses in New York City and Westchester County, New York, enrolling nearly 13,000 students in bachelor’s, master’s, and doctoral programs in its Lubin School of Business, Dyson College of Arts and Sciences, College of Health Professions, School of Education, School of Law, and Seidenberg School of Computer Science and Information Systems. www.pace.edu
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