Theatermania: “Gregory Mosher, Amanda Feldman, Alexander Fraser Set for The Masters Series”

Theatermania wrote this about “The Master Series” presented by Pace Performing Arts: “The Masters Series aims to provide the new generation of artists with the opportunity of interacting with well-established professionals in order to reinvigorate the theater’s ancient role as a public forum by focusing on the social and cultural context for the works of the American theater.”

Bethany Rickwald of Theatermania reported that Pace Performing Arts will present theater professionals Gregory Mosher, Amanda Feldman, and Alexander Fraser as part its free The Masters Series, March 26 at 6pm at Pace University’s Michael Schimmel Center for the Arts.

The Masters Series aims to provide the new generation of artists with the opportunity of interacting with well-established professionals in order to reinvigorate the theater’s ancient role as a public forum by focusing on the social and cultural context for the works of the American theater.

Mosher has directed and produced nearly 200 stage productions at the Lincoln Center and Goodman Theatres, on and off Broadway, at the Royal National Theatre and in London’s West End. Feldman is one half of the producing team Neighborhood Productions and the Managing Director of CollaborationTown. Fraser is Producer for Daryl Roth Productions. During his career as a producer, general manager, and nonprofit executive, he has been involved with over 75 shows on Broadway.

 

MEDIA ADVISORY: Monday, March 26 at 6 PM – “Pace Performing Arts Presents “THE MASTER SERIES” – Conversations with Leading Theatrical Producers Gregory Mosher, Amanda Feldman and Alexander Fraser

“The Masters Series” returns on Monday, March 26 as Pace Performing Arts presents three of our most influential American theatrical producers: Gregory Mosher, Amanda Feldman and Alexander Fraser. Conversations begin at 6 pm in the Michael Schimmel Center for the Arts. RSVP: PerformingArtsPress@pace.edu

Pace Performing Arts Presents

“THE MASTERS SERIES”

Conversations with Leaders in the American Theater

Visionaries from three of our most influential American theater institutions discuss

PRODUCING CONTEMPORARY THEATER AND NEW WORK

 

  • GREGORY MOSHER – Producer, Director. Broadway: A Streetcar Named Desire (starring Jessica Lange and Alec Baldwin), James Joyce’s The Dead, John Leguizamo’s Freak, Arthur Miller’s A View from the Bridge (starring Liev Scheiber and Scarlett Johansson), That Championship Season (starring Brian Cox and Jim Gaffigan).  Former head of the Lincoln Center Theater and the Goodman Theater.
  • AMANDA FELDMAN – Producer. Off Broadway: The Hotel Project, Prison Light, Lake Water, The Play About My Dad. Coordinator of NYC World Theatre Day Coalition. General Manager of the Lark Play Development Center, 2006-11.
  • ALEXANDER FRASER Producer, Daryl Roth Productions. Broadway: The Normal Heart (Tony Award), Irena’s VowBombay Dreams, Topdog/UnderdogNoises OffCrazy for You;  Off-Broadway: Love, Loss and What I WoreJitneySaturday NightJar the Floor, This is Our Youth; Former Executive Director, Second Stage Theatre, NYC.

WHEN:           Monday, March 26, 2012 at 6:00 p.m.

WHERE:         Pace University, Michael Schimmel Center for the Arts, 3 Spruce Street, New York, NY 10038. Directions: http://bit.ly/qxH0g3

COST/RSVP: Free admission, open seating. Reservations: PerformingArtsPress@pace.edu 

PRESS RSVP: Samuella Becker, Pace Media Relations, sbecker2@pace.edu; 212-346-1637

MODERATOR: Cosmin Chivu, Winner of the 2012 Drama League’s New Directors/New Works Project; Director of Directing at Pace Performing Arts

ABOUT THE MASTERS SERIES:  “The Masters Series” at Pace is dedicated to providing the new generation of students/artists with the opportunity of interacting with well-established, outstanding professionals that have developed new voices and ideas. The goal is to reinvigorate the theater’s ancient role as a public forum by focusing on the social and cultural context for the works of the American Theatre of today and tomorrow.  The evening’s guests engage in discussions of their unique practices and bodies of work, followed by a Q&A session with Pace BFA and BA Performing Arts students. Come to the place where art and industry intersect.

COMPLETE BIOS

GREGORY MOSHER has directed and produced nearly 200 stage productions at the Lincoln Center and Goodman Theatres, on and off Broadway, at the Royal National Theatre and in London’s West End. Among them were John Guare’s The House of Blue Leaves and Six Degrees of Separation; David Rabe’s Hurly-Burly; the South African township musical Sarafina!; Richard Nelson’s musical adaptation of James Joyce’s The Dead; David Mamet’s Glengarry Glen Ross; and John Leguizamo’s Freak. Mosher’s collaboration with Mamet began with American Buffalo in 1975 and continued for over two decades and more than twenty works. He has produced or directed new work by such theatre artists as Samuel Beckett, Tennessee Williams, Arthur Miller, Leonard Bernstein, Jerome Robbins, Elaine May, Spalding Gray, and Nobel Prize winners Wole Soyinka and Derek Walcott. He has directed many of America’s well-known actors, including William Macy, Jessica Lange, Alec Baldwin, Jack Lemmon, Matthew Broderick, Ed Harris, Vince Vaughn, Sally Field, Liev Scheiber, Scarlet Johannson, and Kiefer Sutherland. He has received every major American theatre award, including two Tonys.

AMANDA FELDMAN is one half of the producing team Neighborhood Productions and the Managing Director of CollaborationTown, A Theatre Co. Producing credits include: HOTEL PROJECT (The Grand Summit Hotel, Summit, NJ and The WJ Hotel, NYC), Prison Light (HERE), Lake Water (IRT Theater); The Play About My Dad (59e59); The Wife (Access Gallery); What May Fall (Fordham University); HACK! An IT Spaghetti Western (The Brick); Neighborhood 3 and Unfold Me (Summer Play Festival ’08 and ’07); Dressing Miss Julie (NYC Fringe Festival); The Deepest Play Ever, They’re Just Like Us, The Astronomer’s Triangle, and The Trading Floor (CollaborationTown 2003–2006). She was the General Manager of the Lark Play Development Center 2006-11. She has worked on Broadway, Off-Broadway, as well as in the regional theater world. She sits on the board of the League of Independent Theaters New York, she co-runs the Community Dish, and she coordinates the NYC World Theatre Day Coalition.

ALEXANDER FRASER is currently Producer for Daryl Roth Productions, capping a career as a producer, general manager and nonprofit executive, including over 75 shows on Broadway (The Normal Heart (Tony Award), Irena’s Vow, Bombay Dreams,Topdog/Underdog, Noises Off, Crazy for You), Off-Broadway (Love, Loss and What I Wore, Jitney, Saturday Night, Jar the Floor, This is Our Youth), West End (Ragtime, Boston Marriage, Lobby Hero) and the road. He was the Executive Director of the Second Stage Theatre from 1996 to 2001.

COSMIN CHIVU (Moderator) has directed over fifty professional and university productions in America, Austria, England, Germany, Greece, and Romania. He is a lifetime member of the Actors Studio, NYC, a fellow of the Jack O’Brien Lab at the Old Globe, and a member of the Lincoln Center Directors Lab. He is the winner of the 2012 Drama League’s New Directors New Works Project. Chivu is currently running the Directing program and teaches theater courses in the Department of Performing Arts at Pace University’s New York City. In recent months he also taught Master Classes on Improvisation, Directing styles, and European Drama at the Tisch School at NYU, the University of Hawaii, and T.O.C. Athens, Greece. He is actively involved in developing courses in translating contemporary European plays for an American audience and has been developing new plays in the Actors Studio’s Playwriting Directing workshop. He holds a Masters in Theatre Directing from the Actors Studio Drama School, New School University, NYC and a BA in Acting from the G. Enescu Art Academy, Romania.

ABOUT DYSON COLLEGE OF ARTS AND SCIENCE’S PERFORMING ARTS PROGRAMS AT PACE UNIVERSITY:

Undergraduate: Dyson’s Performing Arts Department (PAD) offers Bachelor of Fine Arts Degrees in Acting and in Musical Theater and a Bachelor of Arts degree in Theater Arts with specialized focuses in Acting, Directing, Commercial Dance or Design/Technical Theater. On average, there are 1,000 applicants for every 100 new openings each year. PAD presents over 50 performances every year. Performance spaces range from the Michael Schimmel Center for the Arts, Schaeberle (black box) Theater, and Studio 501, home to many student-directed productions. http://www.pace.edu/dyson/academic-departments-and-programs/performing-arts

Graduate: The Actors Studio Drama School at Pace University is the only MFA theater program officially sanctioned by The Actors Studio. The entire faculty is chosen and approved – and the curriculum is designed and supervised – by the leadership of The Actors Studio through its Curriculum Advisory Committee, including the Presidents of The Actors Studio, Ellen Burstyn, Harvey Keitel and Al Pacino. All of the students — actors, directors, playwrights – train side-by-side as actors. All students participate in the Craft Seminars known to the world as the Bravo Network television series, “Inside the Actors Studio,” hosted by James Lipton. Upon graduation students receive the title of Working Finalist at The Actors Studio and are invited to attend sessions of The Actors Studio for one year and audition for membership.  For further information about the program, go to www.pace.edu/actorsstudiomfa

ABOUT PACE UNIVERSITY: For 105 years, Pace University has educated thinking professionals by providing high quality education for the professions on a firm base of liberal learning amid the advantages of the New York metropolitan area. A private university, Pace has campuses in New York City and Westchester County, New York, enrolling nearly 13,000 students in bachelor’s, master’s, and doctoral programs in its Lubin School of Business, Dyson College of Arts and Sciences, College of Health Professions, School of Education, School of Law, and Seidenberg School of Computer Science and Information Systems. www.pace.edu

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MEDIA ADVISORY: Monday, Feb 13 at 6 PM – PACE PERFORMING ARTS Presents “THE MASTERS SERIES,” Conversations with Leaders in the American Theater

Join us February 13th for an extraordinary evening bringing together visionaries from three of our most influential American theater institutions: Brooklyn Academy of Music (BAM), Lincoln Center Theater and The Public Theater.

PERFORMING ARTS at Pace University presents
“THE MASTERS SERIES”
Conversations with Leaders in the American Theater

Visionaries from three of our most influential American theater institutions discuss Promoting and Creating New Work:

  • Anne Cattaneo, Dramaturg of Lincoln Center Theater (including the new Broadway plays of the current season); Creator and Head of the Lincoln Center Theater Directors’ Lab.
  • Joseph V. Melillo, Executive Producer of the Brooklyn Academy of Music (BAM), responsible for institutional artistic direction.
  • Maria Goyanes, Associate Producer of The Public Theater (The Public LAB).

 WHEN:           Monday, February 13, 2012 at 6:00 p.m.

WHERE:         Pace University, Michael Schimmel Center for the Arts, 3 Spruce Street, New York, NY.  Directions: http://bit.ly/qxH0g3

COST/RSVP: Free admission, open seating. Reservations: PerformingArtsPress@pace.edu 

PRESS RSVP: Samuella Becker, Pace Media Relations, sbecker2@pace.edu; 212-346-1637 or 917-734-5172

MODERATOR:  Cosmin Chivu, Winner of the 2012 Drama League’s New Directors/New Works Project; Head of Directing at the Performing Arts at Pace University

ABOUT THE PERFORMING ARTS MASTERS SERIES: The Performing Arts at Pace University is dedicated to providing a new generation of students/artists with the opportunity of interacting with well-established, outstanding professionals that have developed new voices and ideas. The goal is to reinvigorate the theater’s ancient role as a public forum by focusing on the social and cultural context for the works of the American Theatre of today and tomorrow.  The evening’s guests engage in discussions of their unique practices and bodies of work, followed by a Q&A session with Pace BFA and BA Performing Arts students. 

COMPLETE BIOS:

ANNE CATTANEO is the dramaturg of Lincoln Center Theater and the creator and head of the Lincoln Center Theater Directors’ Lab.  A three term past president of Literary Mangers and Dramaturgs of the Americas, she is the recipient of LMDA’s first Lessing Award for lifetime achievement of dramaturgy. She has worked widely as a dramaturg on classical plays with directors such as Bartlett Sher, Robert Wilson, Adrian Hall, Jack O’Brien, Robert Falls, Mark Lamos and JoAnne Akalaitis.  As the director of the Playworks Program at the Phoenix Theater during the late 1970’s, she commissioned and developed plays by Wendy Wasserstein (ISN’T IT ROMANTIC) Mustapha Matura (MEETINGS) and Christopher Durang (BEYOND THERAPY). For the Acting Company, she created two projects: ORCHARDS (published by Knopf and Broadway Play Publishing) which presented seven Chekhov stories adapted for the stage by Maria Irene Fornes, Spalding Gray, John Guare, David Mamet, Wendy Wasserstein, Michael Weller and Samm-Art Williams, and LOVE’S FIRE (published by William Morrow) responses to Shakespeare sonnets by Eric Bogosian, William Finn, John Guare, Tony Kushner, Marsha Norman, Ntozake Shange and Wendy Wasserstein. Her own translations of 20th Century German playwrights include Brecht’s GALILEO (Goodman Theater 1986 starring Brian Dennehy) and Botho Strauss’ BIG AND LITTLE (Phoenix production starring Barbara Barrie, published by Farrar, Straus and Giroux.) She is currently on the faculty at Juilliard. In July 2011, she was awarded the Margo Jones Medal given annually to a “citizen of the theater who has demonstrated a significant impact, understanding and affirmation of the craft of playwriting, with a lifetime commitment to the encouragement of the living theatre everywhere.”

JOSEPH V. MELILLO, BAM executive producer since 1999, is responsible for the artistic direction of the Brooklyn Academy of Music (BAM). In the years that he has held this role, BAM has enjoyed increases in both programming and audience attendance in its Harvey Lichtenstein Theater, Howard Gilman Opera House, Rose Cinemas, and BAMcafé. Prior to his current position, Melillo served as BAM’s producing director, following a six-year tenure as founding director of the Next Wave Festival. Over the years, Melillo has fostered the work of emerging and established artists and forged dynamic artistic partnerships. One such partnership is The Bridge Project—a three-year series of international theater engagements featuring a trans-Atlantic company of actors directed by Sam Mendes and produced by BAM, The Old Vic (under the artistic direction of Kevin Spacey), and Neal Street (headed by Mendes and partner Caro Newling). The Bridge Project has furthered the global reach of BAM’s mission, with engagements in the US, the UK, Hong Kong, Singapore, The Netherlands, Spain, France, and Germany. BAM will soon expand its campus with the addition of the Richard B. Fisher Building, featuring an intimate and flexible new performance space, and adding a third stage for BAM’s renowned Next Wave Festival. Joseph Melillo was named a Chevalier (1999) and an Officier (2004) de L’ordre des Arts et des Lettres of France. Also in 2004, he was awarded an honorary OBE for his outstanding commitment to British performing arts in America. In 2007, Melillo was appointed Knight of the Royal Order of the Polar Star, in recognition of his role in solidifying ties between the performing arts communities of Sweden and the United States. Melillo has served on the faculty of the Brooklyn College Graduate Program in Arts Management and on the boards of directors for the Association of Performing Arts Presenters and En Garde Arts. He was a panelist for the National Endowment of the Arts Dance Program and the New York State Council on the Arts, and served as Multidisciplinary Panel Chair of the Pew Fellowships in the Arts’ 2003 and 2007 Awards. Melillo is a lecturer at colleges and universities nationally and internationally. He currently serves as a member of the International Arts Advisory Committee for the Wexner Prize (Wexner Center for the Arts). Melillo earned a Bachelor of Arts degree in English and theater at Sacred Heart University in Fairfield, Connecticut and a Masters of Fine Arts in speech and drama at Catholic University of America in Washington, DC. He is currently celebrating his 27th year at BAM.

MARIA GOYANES  joined the staff of The Public Theater in August 2004 as an Artistic Associate, and was promoted to the Director of Special Projects before landing her current role Associate Producer. Previously as the Director of Special Projects she has worked on the development and cultivation of new plays and initiatives to support the work of a wide range of artists.  She helped launch the Public LAB, a series that brings stripped down productions to audiences for only $10, working with Adrienne Kennedy, the Civilians, Naomi Wallace, Suzan- Lori Parks, Roger Guenveur Smith, and many others. Both The Good Negro by Tracey Scott Wilson and Bloody Bloody Andrew Jackson by Alex Timbers and Michael Friedman transferred to the Public’s mainstage subscription season after successful runs in Public Lab. She spearheaded the Suzan-Lori Parks’ yearlong 365 Days/365 Plays festival for NYC, working with 70 theater companies and over a thousand artists. When not at the Public, she is the Executive Producer of Obie- award winning 13P (13 Playwrights, Inc.), a 13 play project founded with a collective of writers that includes Sarah Ruhl, Young Jean Lee, Anne Washburn, Lucy Thurber, and Sheila Callaghan.   She was the recipient of the Josephine Abady Award from the League of Professional Theatre Women.  Previously, she was the Associate Producer at Trinity Repertory Company in Providence RI.  She is a first generation American (spanish and dominican – spininican) and hails from Jamaica, Queens.

COSMIN CHIVU (Moderator) has directed over fifty professional and university productions in America, Austria, England, Germany, Greece, and Romania. He is a lifetime member of the Actors Studio, NYC, a fellow of the Jack O’Brien Lab at the Old Globe, and a member of the Lincoln Center Directors Lab. He is the winner of the 2012 Drama League’s New Directors New Works Project. Chivu is currently running the Directing program and teaches theater courses in the Department of Performing Arts at Pace University’s New York City. In recent months he also taught Master Classes on Improvisation, Directing styles, and European Drama at the Tisch School at NYU, the University of Hawaii, and T.O.C. Athens, Greece. He is actively involved in developing courses in translating contemporary European plays for an American audience and has been developing new plays in the Actors Studio’s Playwriting Directing workshop. He holds a Masters in Theatre Directing from the Actors Studio Drama School, New School University, NYC and a BA in Acting from the G. Enescu Art Academy, Romania.

 

BroadwayWorld.com: “Jorge Luis Cacheiro as New Chair of Pace Performing Arts Department”

“We are extremely fortunate to have someone of Jorge Cacheiro’s caliber as the leader of our rapidly growing performing arts department, which has attracted nearly 400 declared majors from all over the country,” said Nira Herrmann, PhD. Dean, Dyson College of Arts and Sciences.

Jorge Luis Cacheiro joins Pace from Montclair State University, where he was the founder and first director of the New Works Initiative (NWI), which is dedicated to developing new work for the American theater and dance world.

A graduate of the Yale School of Drama, during the past two decades Cacheiro has also headed MFA Professional Director Training Programs at Ohio University in Athens, the University of Southern California in Los Angeles and the University of Arkansas in Fayetteville. 

Considered one of the country’s leading acting teachers, Cacheiro has taught Master classes at UCLA, Cal Arts, Princeton and the University of Iowa, as well as run his own studio in Los Angeles.

“From my very first visit on Pace’s campus, I sensed an immense energy from students, faculty and administration alike,” said Cacheiro, in an article appearing on BroadwayWorld.com. “There is an undeniable united goal to make Pace’s Performing Arts Deparrtment (PAD) one of the nation’s leading professional training programs. I am confident that with the support of our outstanding faculty, we will succeed.”

In choosing Cacheiro, PAD has gotten a scholar/artist with a keen entrepreneurial vision of present-day education.  According to Cacheiro, “We are in the business of education. This is our contemporary reality. I am very comfortable in both of these worlds. The cross section between the university world and the larger industry is still being defined. I believe it offers immense opportunities in the training and career prospects of young artists and creative thinkers.”

Cacheiro plans to immediately introduce a New Work Initiative similar to one he created at Montclair State University. This would complement the Pace New Musicals program.

“The two programs will help imprint Pace’s Performing Arts Department as an important incubator of new American performance work, a place where major professional artists — writers, composers, choreographers — can draft and develop work in a safe environment,” elaborated Cacheiro. “For our students to take part in the process as performers is an invaluable training and networking opportunity. We want to nurture work at Pace from the development phase hopefully all the way to a world premiere.”

NEWS RELEASE: Pace University’s Dyson College of Arts and Sciences Names Theatrical Innovator Jorge Luis Cacheiro as New Chair of its Performing Arts Department

Jorge Luis Cacheiro — a visionary director and university performing arts leader with deep roots to the New York and international theater communities — has been appointed the new Chair of Dyson College of Arts and Science’s Performing Arts Department at Pace University.

Pace Media Contact: Samuella Becker, sbecker2@pace.edu, 212-346-1637 or 917-734-5172

Pace University’s Dyson College of Arts and Sciences Names Theatrical Innovator Jorge Luis Cacheiro as New Chair of its Performing Arts Department

NEW YORK, October 10, 2011 — Jorge Luis Cacheiro — a visionary director and university performing arts leader with deep roots to the New York and international theater communities — has been appointed the new Chair of Dyson College of Arts and Science’s Performing Arts Department (PAD) at Pace University, effective September 5, 2011. PAD houses the College’s undergraduate performing arts programs, which complement the College’s graduate programs, housed in the renowned Actors Studio Drama School. Cacheiro succeeds Ruis Woertendyke, who becomes Associate Chair after six years at the helm of Pace’s Performing Arts faculty.

Cacheiro joins Pace from Montclair State University, where he was the founder and first director of the New Works Initiative (NWI), which is dedicated to developing new work for the American theater and dance world. A graduate of the Yale School of Drama, during the past two decades Cacheiro has also headed MFA Professional Director Training Programs at Ohio University in Athens, the University of Southern California in Los Angeles and the University of Arkansas in Fayetteville.  Considered one of the country’s leading acting teachers, Cacheiro has taught Master classes at UCLA, Cal Arts, Princeton and the University of Iowa, as well as run his own studio in Los Angeles.

“We are extremely fortunate to have someone of Jorge’s caliber as the leader of our rapidly growing performing arts department, which has attracted nearly 400 declared majors from all over the country,” said Nira Herrmann, PhD. Dean, Dyson College of Arts and Sciences.  “The department’s growth has been carefully managed to provide each major with personalized attention within the different areas: BFA in Acting; BFA in Musical Theater; and BA in Theater Arts with tracks in Acting, Directing, Design/Technical Theater and the track in Commercial Dance.  We look forward to the new programs and perspectives that Jorge brings to this exciting department.”

From my very first visit on Pace’s campus, I sensed an immense energy from students, faculty and administration alike,” said Cacheiro. “There is an undeniable united goal to make PAD one of the nation’s leading professional training programs.  I am confident that with the support of our outstanding faculty, we will succeed.”

In choosing Cacheiro, PAD has gotten a scholar/artist with a keen entrepreneurial vision of present-day education.  According to Cacheiro, “We are in the business of education. This is our contemporary reality. I am very comfortable in both of these worlds. The cross section between the university world and the larger industry is still being defined.  I believe it offers immense opportunities in the training and career prospects of young artists and creative thinkers.”

Cacheiro plans to immediately introduce a New Work Initiative similar to one he created at Montclair State University.  This would complement the Pace New Musicals program.  “The two programs will help imprint Pace’s Performing Arts Department as an important incubator of new American performance work, a place where major professional artists — writers, composers, choreographers — can draft and develop work in a safe environment,” elaborated Cacheiro. “For our students to take part in the process as performers is an invaluable training and networking opportunity.  We want to nurture work at Pace from the development phase hopefully all the way to a world premiere.”

Cacheiro has long harbored a passion for new works.  Under his direction, plays by such prominent playwrights as Harry Kondoleon, David Lindsay-Abaire, Eduardo Machado and Luis Santeiro have premiered in theaters ranging from New York Theater Workshop, Circle Repertory and INTAR in New York to Echo Theater in Los Angeles to the Magic Theater in San Francisco. He has also been a guest director at the O’Neil Theater Conference and the Ojai Playwrights Conferences.  His original projects have been funded by the National Endowment for the Arts, TCG, the New York State Arts Council, the Andrew Mellon Foundation, Goethe House and the Spanish Embassy among others.  Cacheiro is a former Circle Rep Lab member and Princess Grace Award winner.

Born in Havana, Cuba, Cacheiro has also worked tirelessly to build academic and professional cultural bridges between the US and Cuba. He has pursued academic agreements between Cuba’s Institute of Superior Arts and American universities and has brought artists from Cuba to work in the US.

In 2010, with the Rita Montaner Theater Company’s Latin American premiere of Canto del Pozo Ciego by Jorge Cortiñas in Havana, Cacheiro became the first American director invited to lead a major Cuban company.  Cacheiro received support from TCG and the Andrew Mellon Foundation for this work. He returns to direct again in Havana in 2013.

About Dyson College of Arts and Science’s Perfoming Arts Programs at Pace University:

Undergraduate: Dyson’s Performing Arts Department (PAD) offers Bachelor of Fine Arts Degrees in Acting and in Musical Theater and a Bachelor of Arts degree in Theater Arts with specialized focuses in Acting, Directing, Commercial Dance or Design/Technical Theater. On average, there are 1,000 applicants for every 100 new openings each year. PAD presents over 50 performances every year. Performance spaces range from the Michael Schimmel Center for the Arts, Schaeberle (black box) Theater, and Studio 501, home to many student-directed productions.

Graduate: The Actors Studio Drama School at Pace University, also located in Dyson College, is the only MFA (Acting, Directing and Playwriting) theatre program officially sanctioned by the legendary Actors Studio (co-presidents Ellen Burstyn, Harvey Keitel and Al Pacino). All MFA students participate in the Craft Seminars known to the world as the Bravo Network television series Inside the Actors Studio (taped at Pace’s Schimmel Theater and open to students), hosted by James Lipton, Dean Emeritus and Co-Founder of the Actors Studio Drama School. 

About Pace University: For 105 years, Pace University has educated thinking professionals by providing high quality education for the professions on a firm base of liberal learning amid the advantages of the New York metropolitan area. A private university, Pace has campuses in New York City and Westchester County, New York, enrolling nearly 13,000 students in bachelor’s, master’s, and doctoral programs in its Lubin School of Business, Dyson College of Arts and Sciences, College of Health Professions, School of Education, School of Law, and Seidenberg School of Computer Science and Information Systems.  www.pace.edu

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